[2010] Goodbye

Sinking downward, a child’s raft. It
drifts from the surface to the grasping tendrils
in the underworld, in the river bed.

It opens and thirty siren-girls escape,
singing words so tragic and so kind.
The child sent them outwards, these thirty
drops of silver blood, crying melodies
not meant for human ears.

So they gurgle in E minor,
and ripples gather at the surface.
The children playing stop to listen,
start to shout their songs anew.

The end is not a bang or a sputter,
just a fading.

[2010] Tribute to Scarborough Fair

The scar burrows into your fair skin,
makes it rosy and merry,
so merry that it bleeds and mottles:
keeps you delirious.

It makes you as sage as Athena,
she who sprang from her father’s wound
after he consumed his wife whole,
heedless of her shrieking, shrieking, shrieking.

It makes you keep time and parse leaves
in the tea ring of your soul,
and you cannot find the answer though
you choke on it.

Remember me too,
as I wound the lives there,
and the scar burrows into the faerie
love that was once mine, gold and true.

 

[2010] Paper Cuts

Like the leaves fall with no command, obedient kamikaze soldiers,
the memories return, bubbles sticking in my throat, the ones that had me
grasping for mirror shards in the thick, syrupy morning after
traversing paths too bitter and too nostalgic
to be called true nightmares.

They looked at me with soft expressions, soft like chloroform rags,
told me strings of letters that spelled out
only one word; but now
I am crime and criminal
hypocrisy. What they did to me, I do to her.

Stinging paper cuts, the realization that what I left behind
festered in her soul. I have remedies from the apothecary
and I hear we lost those some centuries ago. I refer her to
generic, labeled, methods that will drive us both in
sane.

I bind my own hands with my own rope, noose
dangling at the end; they snap her ties and pin her
heart like a medal we can just shine up or perhaps
reforge, when they themselves made the arterials
rust from inside out.

[2010] Shopping in the City

The urban fragrance: gasoline decay, fried spirits on Friday.
Sins smeared over the brick, cresting tobacco smoke
along the free-trade coffee and ironic t-shirt assembly line.
The rubber soles skid on scabbed concrete,
no thundering, only hail-steps. Quickly now.
Compressed gas ignites neon; revel in plastic hookers,
tattooed with age and nipples and twenty-two ninety-nine.
Mannequin men with their arms raised,
guns pointed at their hole-scarfed hearts,
black and black and brown like home.
“It’s a freak show out here.”
Pull up your hood. Hail-steps, hail-steps.

[2010] Come Together, Vietnam

The mountain children murmur into the ripples,
as their mother paints your visage on festival paper.
Lotus rafts in the current, pink and feather small,
careen in the dips of infant mountains drowned.

The flowers slip into the dark fingers of your daughter,
child of the dragon king, eyes as keen as her father’s claws.
Her lips are cleaned of the sticking, ripened juice of mangoes
by a tiny tongue that darts out, scaly lizard along the riverbank.

Gathered into a basket, the petals fold and sigh into one another,
searching for embraces, sinking with their damp weight,
waiting to be strewn like a fractured rainbow in the clouds
when the dragon’s lost sons sound the call for their fisher sister.

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